This article introduces our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
The Venice Architecture Biennale has always been larger than itself. Never content with merely being an exhibition, it has always carried ambitions that expand beyond the grounds of Arsenale and Giardini. Rem Koolhaas's Fundamentals sought to deconstruct architecture into a universal grammar; Alejandro Aravena's Reporting from the Front reframed it as a tool for social justice on the ground; Lesley Lokko's The Laboratory of the Future set out to decolonize and decarbonize the architectural canon.
